THE LIR HAVE A TEAM OF FULLY QUALIFIED PROFESSIONALS TO HELP & ASSIST YOU
Loughlin Deegan’s many achievements include working as a playwright, an arts manager for The Belltable and Druid, as director of ITI’s Irish Playography archive, as literary manager and later company producer of Rough Magic, and for five years he was the Artistic Director and CEO of the Ulster Bank Dublin Theatre Festival. As the first Director of The Lir, Loughlin is responsible for the overall direction of the Academy and the curation of the artistic programme.
Samuel Beckett Chair of Drama and Theatre
Brian Singleton is Samuel Beckett Professor of Drama & Theatre at Trinity College Dublin and is the Academic Director of The Lir –National Academy of Dramatic Art in Ireland. He is co-editor of the series ‘Studies in International Performance’ published by Palgrave Macmillan for which he and Janelle Reinelt won the 2012 ATHE prize for sustained achievement in editing. He has published many articles and book chapters on interculturalism/orientalism and performance including the mongraph Oscar Asche, Orientalism and British Musical Comedy (Praeger, 2004), as well as two books on the life and work of Antonin Artaud. His latest monograph is entitled Masculinities and the Contemporary Irish Theatre (Palgrave Macmillan, 2011).
Director of Administration
Anne Fitzpatrick was appointed as the Academy’s first Administrator and has been responsible for academic and operational administration for The Academy since doors opened in September 2011. Having trained and worked in theatre and education for over fifteen years previous to this Anne continues to drive The Lir administration to support the students in achieving the highest possible standards during their training at The Lir Academy.
Director of Technical Training
Barry Conway began his career with the first Dublin Fringe Festival in 1995 which led to him working for both Arena Lighting and the Electric Light Company. Since 2003 Barry has held the position of Production & Lighting Department Manager of Avcom Ltd. Barry has worked consistently as a freelance Chief Electrician on numerous theatre productions in Irish theatre. Barry has also acted as Senior Technician for many of Ireland’s leading festivals and events including Galway Arts Festival, Belfast Festival at Queen’s, the Dublin Theatre Festival as well as a long career with the Dublin Fringe Festival in culminating in being its production manager in 2003. Barry has also led many teaching and training initiatives at Avcom and elsewhere. Barry is also a founding member of the Association of Irish Stage Technicians.
Construction Manager and Technical Stage Manager
After a brief spell at Adelaide University in 1985 studying a BA with Drama, Danny settled in to the staging department of the Adelaide Festival Centre in South Australia. In 1993 he spent a year in the West End before coming to Ireland and working as a staging technician number of Dublin stages and production companies. Danny was Senior Technician at The Helix for 10 years before arriving at The Lir where he is now Workshop and Technical Stage Manager with a teaching role. He is completing a BA in Education and Training in May 2013 and has served on the board of the Association of Irish Stage Technicians (AIST) for several years.
Director of Marketing
Seána Skeffington joined The Lir in November 2012 as the Academy’s first Marketing Manager. She is responsible for the delivery of the Marketing, Communications and Press strategy for The Lir aimed at promoting the Academy, its courses and working towards the stated ambition of establishing The Lir as one of the World’s leading centres for drama training. With over twenty years marketing experience, Seána’s most previous role was as a member of the senior management team within the Ulster Bank Belfast Festival at Queen’s delivering the overall campaign of the annual Festival. Prior to this Seána was Marketing Manager with Queen’s Students’ Union.
Seána has an Executive Diploma in Digital Marketing from the Marketing Institute of Ireland, an MSc in Marketing and Entrepreneurship from Ulster University and a Postgraduate Diploma in Marketing from the Chartered Institute of Marketing. Seána is a member of the Chartered Institute of Marketing.
Head of Stage Management
Kate completed a Bachelor of Fine Arts (Technical Production and Stage Management) at Queensland University of Technology, Brisbane, Australia. Since graduating, she has worked as a Production, Stage and Event Manager with Australian companies and festivals including C!RCA, Queensland Theatre Company, LaBoite Theatre Company, Brisbane Festival, Malthouse Theatre Company and David Atkins Enterprises (15th Asian Games, Doha, Qatar).
Since re-locating to Ireland Kate has worked as Company Stage Manager with The National Theatre of Scotland, The Gate Theatre, Opera Ireland, Pan Pan Theatre Company, Fishamble Theatre Company and The Corn Exchange.
Director of Development
Eimear Chaomhánach joined The Lir in 2015 as the Academy’s first Development Manager. Eimear is responsible for devising and delivering development, sponsorship and fundraising strategies as well as building philanthropic relationships with friends, the corporate sector, alumni and foundations. With fifteen years’ experience working in the arts, cultural and heritage sectors, Eimear’s most recent roles include Marketing & Development Manager at Solstice Arts Centre, Festival Manager at Darklight Festival and Audience Development Manager at TBCT.
Head of Lighting
Eve has been working in theatre across the U.K for the last 11 years specialising in lighting. She has worked across multiple platforms including new writing, touring, tv and digital media. Her previous role as Deputy Technical Manager at Soho Theatre included working as Production Electrician and Chief Lighting Programmer for new and innovative theatre including “Fleabag” (Olivier Nominated) and “Silent” (Olivier Award Winner).
Des has worked as a production manager in Irish theatre for over twenty years. During this time Des has had the opportunity to work on shows of all sizes from tiny studio performances to West End transfers to festival management and everything in between, collaborating with companies including Fishamble, Cois Ceim, the Corn Exchange and the Abbey Theatre to name but a few.
Reception and Admissions Manager
A sociologist turned prop maker, Dorota graduated from Production Arts and Design course in Royal Conservatoire of Scotland. She has worked as a prop-maker, scenic artist and costume assistant in UK, Hong Kong, Poland and Ireland. Apart from theatre and film work, she has worked as a maker and researcher for Medical Device Design Group at University College of Dublin, designed window displays, volunteered as a boat builder, and collaborated on fashion projects. Keen explorer of traditional crafts, she is a member of Guild of Irish Lacemakers, and loves a good woodworking project. Her work can be seen at http://dotmakes.com/
Colm began his career in healthcare, working for several years as a healthcare assistant before moving into medical secretary roles. Colm has worked in most of Dublin’s major hospitals in settings as varied as A&E, ICU, Palliative Care and Psychiatry. Colm later worked with both the Royal College of Physicians of Ireland and the College of Anaesthetists of Ireland, coordinating postgraduate medical education and training for Ireland’s graduate doctor’s. In 2013, Colm changed direction and began working freelance in the Arts sector. He has worked in various roles with The Abbey Theatre, Landmark Productions, Dublin Fringe Festival, Galway International Arts Festival, Cork Midsummer Festival, Clonmel Junction Festival and Dublin International Film Festival, as well as with Assembly Festival at the Edinburgh Fringe in Scotland. Colm holds a BA in Contemporary Culture & Society from Dublin City University as well as a Certificate in Counselling & Psychotherapy from PCI College Dublin.